There has been said about the screen plays of Ingmar Bergman: "the masterpiece already has been completed when it is still on paper." These words are a big inspiration for me. 

I just love a scenario with sparkling and powerful dialogues, where the descriptions are profound and expressive to feed the mind. I'm really fascinated universal and fascinating stories in a small scenery. I call them One-Room movies. This doesn't mean that it's situated in a single room, but it's more a certain philosophy of telling a story.

Films like Rope, Rear window, Husbands and Wives, Hell in the pacific to name a few have this quality. Ingrid Bergman said it like this: "I call Winter light and The Silence Chamber plays. It's like Chamber music. You divide several themes and subjects over a limited amount of characters." (August Strindberg 1849-1912 came up with the concept of Chamber plays.)

Some examples of my stuff

Le petit Rhapsody> The narrative is about two students and a femme fatale hiding in Paris 1944, two weeks before the end of the war. The boys wanted to escape Amsterdam because of the war. Their destination was Spain, but they came no further then Paris.

Anna> ANNA, a vivid and cheerful girl of 10 years old, skips across a large parking place. She's got bright eyes and has two ponytails. On her back she wears a little red backpack. She stops for a sliding door. The door of the hospital...This is how the story begins. A story about a girl discovering life, when her father lies in a coma. Her parents are divorced so who is this strange woman at her fathers bed?  (La vita belle meets Oliver Twist)

Common loves Peculiar>The story is a psychological drama disguised in a strange fairytale. A journey of friendship, understanding, respecting each other and maybe the secret of life itself.

Other work in progesssss>NYC, The Biography, Normandy, ...and the poetry, Perfect, The Art of Alfred.